The King Stones The King Stones Soul, Folk, Indie Reggae duo from Jamaica

Gabriella Reno (Kingston, Jamaica) und Samuele Vivian (Venedig, Italien) spielen im Akustik-Duo „The King Stones“ eine Mischung aus Alternative Folk, Soul. Gabriella Reno (Kingston, Jamaica) und Samuele Vivian (Venedig, Italien) spielen im Akustik-Duo „The King Stones“ eine Mischung aus. The King Stones Soul, Folk, Indie Reggae duo from Jamaica. Gabriella Reno (​Kingston, Jamaica) und Samuele Vivian (Venedig, Italien) spielen im Akustik-​Duo. Hier findest du alles über The King Stones und alle aktuellen Konzerte in deiner Stadt. Gabriella Reno (Jamaica) und Samuele Vivian (Italien) spielen im Akustik-Duo „​The King Stones“ eine Mischung aus Alternative Folk, Soul und.

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BESTE SPIELOTHEK IN HOSPENTAL FINDEN The softer stone simply grips and starts cutting from the first stroke. Kitts und Nevis St. Categories : Locations Lore. Here, you will spend your days in service to the divine element and the one who protects it. The King Beste Spielothek in Sankt Martin am Silberberg finden is most likely to have been erected around BC as a permanent Psc Kombinieren to the burial ground rather than being an outlier to the much older Stone Circle.
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Pay admission fee online - Covid updates. Thinking of visiting? Please see Covid19 updates. This ceremonial stone circle was erected around 2,BC.

The number of stones has changed over the years. Legends refer to stones having been taken away to make bridges and the like , and it is likely that this created most of the gaps now visible.

The stones are famously uncountable, but originally may have numbered about standing shoulder to shoulder. Two stones immediately outside the ring one fallen mark the portalled entrance to the circle opposite the tallest stone.

He suggested that the builders had constructed a ramp out of "collected stones", which was "placed against the back of the chamber".

The capstone was then "hauled up on rollers, probably running on logs embedded longitudinally in the ramp", in order to get it into position. After undertaking limited excavation at the circle in the s, Lambrick concluded that when it had been originally erected, it would have been a "more perfect circle" than it is today.

He thought that each of the stones would have touched one another, creating a continuous barrier all the way around. He also speculated that the monument's builders intentionally placed the smoother sides of the boulders to face inwards.

The outer facing sides are predominantly rougher in texture. Resistivity and magnetometry surveys undertaken during the s revealed four magnetic anomalies within the centre of the circle, possibly representing "pits related in some way to local ground surface undulations and the presence of localised burning.

He said that it was a possible original prehistoric feature, although accepted it may equally have been the result of refuse deposited in the Romano-British period, or tree-planting holes.

Meanwhile, archaeological excavation revealed that there was "no indication" of there having been "a substantial ditch" either inside or outside the bank on which the stones were positioned.

Making an estimate of the time and manpower required for this project, Lambrick concluded that each of the King's Men could have been constructed by a team of ten or twenty depending on the size of the stone in about two-and-a-half hours.

He noted, however, that the time could have been reduced if the workers had been divided into two groups for some of the smaller stones.

Concluding his examination of this issue, he argued that "83 journeys by the whole team would have been required, giving an actual construction time of c hours, or manhours.

This would have been about three weeks' work for around twenty workers. Since the late 19th century, the monument has been in part a reconstruction.

In , the owner of the site re-erected around a third of the stones that had previously fallen. Some were moved from their original positions.

Lambrick doubted that more than two of those currently standing were modern additions. Four of the other, smaller additions were stolen by vandals in the 20th century.

The King Stone is a single, weathered monolith , 2. Unlike the other two of the Rollright monuments, it is of uncertain date. Lambrick catalogued six distinct hypotheses that had been presented by antiquarians and archaeologists over the preceding centuries and evaluated their likelihood.

Some of these argued that it had been positioned in relation to the King's Men stone circle, with others instead suggesting that it was a component of a long barrow or other burial site.

Lockyer and Thom suggested that the King Stone had been an astronomical marker that may at the same time have had a relation to the ceremonies being undertaken at the King's Men.

Lambrick dismissed any astronomical significance as unlikely, because the Stone aligns only with the rising of the star Capella as it would have appeared circa BCE.

He notes there is no evidence that late prehistoric Britons valued the stars as important; they did build several of their monuments to have solar or lunar alignments.

Megalithic specialist Aubrey Burl in suggested that the King Stone had been a landmark or guidepost designed to mark the position of the King's Men.

Again, Lambrick disagreed with this, saying that its "position and orientation make it too inconspicuous to be satisfactory as a marker for anyone approaching the circle either along the ridge or from the alleys either side.

But Lambrick thought this unlikely, as no other archaeological evidence exists for such an avenue, and it would have been poorly aligned with the circle.

Other researchers had suggested that the stone was once a part of a long barrow. But Lambrick's archaeological investigation in the s failed to reveal any other evidence for such a monument.

He estimated that when it was originally erected, the King Stone would have weighed somewhere in the region of 4.

Numerous folktales are associated with the stones. Seven long strides thou shalt take, says she And if Long Compton thou canst see, King of England thou shalt be!

His troops gathered in a circle to discuss the challenge, and his knights muttered amongst themselves, but the king boldly took seven steps forward.

Rising ground blocked his view of Long Compton in the valley, and the witch cackled:. As Long Compton thou canst not see, King of England thou shalt not be!

Rise up stick and stand still stone, For King of England thou shalt be none; Thou and thy men hoar stones shall be, And I myself an elder tree!

The king became the solitary King Stone, while nearby his soldiers formed a cromlech , or circle, called the King's Men.

As the witch prepared to become an elder tree, she backtracked into four of the king's knights, who had lagged behind and were whispering plots against the king.

She turned them to stone as well. Today they are called the Whispering Knights. Legend holds that as the church clock strikes midnight, the King Stone comes alive.

The Rollright Stones became associated with fertility in the late eighteenth and the nineteenth centuries.

Several different, related local customs arose in the nineteenth century: Girls from local villages ran naked around the stones at midnight of Midsummer 's Eve in the belief that they would see the man they were to marry.

This drew upon earlier belief that eavesdropping upon the conversations of the living king and his men would likewise reveal the name of their future husband.

Childless wives may have prayed to or near the King Stone, or rubbed their bare breasts on the King Stone as part of a local fertility-related custom.

The earliest known written account describing the Rollrights comes from the 14th century CE, during the Late Mediaeval period in Britain.

It was at this time that an unknown author wrote a tract entitled De Mirabilibus Britanniae The Wonders of Britain in which the prehistoric monuments at Stonehenge and the White Horse of Uffington were mentioned alongside the Rollrights.

In the neighbourhood of Oxford there are great stones, arranged as it were in some connection by the hand of man. But at what time; or by what people; or for what memorial or significance, is unknown.

Though the place is called by the inhabitants Rollendrith. The nearby village, Great Rollright, is spelt as "Magna Rollandryght" in William Camden , Britannia , , translated by P.

Holland, It was in the 16th century, during the Early Modern period of British history, that further written accounts of the Rollrights were made; one of the earliest of these was provided by the pioneering antiquarian John Leland c.

Nonetheless, despite the fact that he referred to it, he failed to go into any detail. A more detailed account was made by his fellow antiquarian, William Camden — , who wrote about it in his work Britannia , a topographical and historical survey of all of Great Britain and Ireland.

Describing the stones and some of the folklore that the locals attributed to them, Camden went on to hypothesise that they were constructed as a "memorial of some victory, perhaps by Rollo the Dane, who later possessed property in Normandy.

The antiquarians John Aubrey and William Stukeley were responsible for initiating modern study of Neolithic monuments such as Stonehenge , Avebury and the Rollrights.

An Elizabethan tapestry map of Warwickshire the Sheldon Tapestry Map , created during the late s for hanging in the home of Ralph Sheldon of Long Compton, is believed to be the earliest known depiction of the Rollright Stones on a map.

After conservation and cleaning of the tapestry in it was noted for the first time that a number of monoliths, perhaps forming a stone circle, appear to be shown in the vicinity of Long Compton.

At the start of the s, the state-appointed Inspectorate of Ancient Monuments commissioned an investigation into the Rollright Stones and their immediate surroundings "in order that a fully integrated policy for the future preservation and management of the complex might be formulated.

As a part of the initial survey , historians undertook documentary research , examining the reports and accounts of the site that had been produced since the 17th century, with particular emphasis on antiquarian and early archaeological drawings.

Aerial photographs of the area were looked at for signs of prehistoric crop marks, whilst both a geophysical survey and a fieldwalk of the area were undertaken.

With the surveying over, the investigators moved on to excavation , opening up several limited trial trenches, as well as excavating in its entirety one small round barrow, which had been heavily ploughed out.

An interim report on the project's findings was published in a booklet written by Lambrick in Containing the full site report, it was "the first full record and analysis of the King's Men, the Whispering Knights, the King Stone, and their archaeological setting" and, in the book's preface, the then Inspector of Ancient Monuments A.

Fleming commented that the "survey provides a firm basis for the improved management of the monument. In , the Bricket Wood coven of Gardnerian Wiccans met for a ritual at the King's Men, at which they hoped to reunite with the a group led by Doreen Valiente who had splintered from them several years before.

Pagan studies scholar Ethan Doyle White suggested that this site was chosen because it was neutral ground not owned by either coven and because it had folkloric associations with the supernatural.

In , the English ceremonial magician William G. Gray published a book entitled The Rollright Ritual which described his personal experiences with the site.

Many Pagans seek to meditate at the site with the intent of communing with spirit entities believed to reside there, [43] while the American Pagan Diana Paxson has discussed her own performance of seidr at the site.

Examining the relationship between archaeologists and Pagans in early 21st-century Britain, archaeologist Robert Wallis and anthropologist Jenny Blain noted that members of both communities have "made common cause" at the Rollright Stones, developing "a climate of inclusivity and multivocality" which has produced "fruitful negotiation".

The site has also attracted interest from individuals involved in the Earth Mysteries movement. They concluded that ultrasonic pulsing could be detected at the King Stone at sunrise, while there were no ultrasound readings in the King's Men circle at the summer solstice, suggesting that the stones acted as a shield from the low levels of ultrasound found elsewhere in the landscape.

During the s, the owner of the site, Pauline Flick, decided to sell it. In a campaign was launched by individuals — including a number of Pagans who used the site for ritual purposes — who feared that it would be purchased by those who would either turn it into a commercialised tourist attraction or prevent anyone from visiting it.

The Trust charges a small entry fee to allow access to the King's Men circle. In January , the hut was damaged beyond repair in an arson attack, with a group calling itself the Rollright Project holding benefit gigs to raise money for a replacement.

A registered charity , as of the Trust had on its board individuals from a range of backgrounds, including both Christians and Pagans, archaeologists, a biologist, and a landscape architect.

The site was presented as a fictional stone circle in Cornwall , at which modern Druids are worshipping an ancient goddess who turns out to be a malevolent alien.

From Wikipedia, the free encyclopedia. This was a time of important social changes. The antiquarians John Aubrey and William Stukeley.

Main article: Sheldon tapestries. University of Sussex. Archived from the original on 3 March Retrieved 27 October Retrieved 19 June The Art Newspaper.

Archived from the original on 3 November

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